Marcelo Moscheta


11

MARCELO MOSCHETA
BigBang, 2017
Rochas e concreto
160 x 355 x 20 cm

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12

MARCELO MOSCHETA
Tabuleiro, 2017
Instalação com impressão fotográfica em duratrans, acrílico, caixas em alumínio, parafusos, caibros de pinus autoclavados, LED, cabos e componentes elétricos.
200 x 250 x 50 cm

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ed-timelapse

MARCELO MOSCHETA
Timelapse, 2013
Solo do deserto do Atacama, gravação em alumínio e acrílico, ferro e parafusos
21 x 11 x 14cm

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IMG_6814

MARCELO MOSCHETA
Revolución 2, 2016
Carvão, letraset e grampos de alumínio sobre papel Timbó e papel Canson Montval 300g
83 x 63,5cm

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IMG_68132

MARCELO MOSCHETA
Revolución 1, 2016
Carvão, letraset e grampos de alumínio sobre papel Timbó e papel Canson Montval 300g
83 x 63,5cm

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M. Moscheta_96x230x13cm_Espaço Lugar

MARCELO MOSCHETA
Espaço Lugar, 2017
Letraset sobre papel vegetal, grampos de alumínio, ferro e diabásio
96 x 230 x 13 cm

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Robson Rodrigues

MARCELO MOSCHETA
Britannica N. 01, 2017
Desenho em grafite e serigrafia sobre PVC expandido.
82 x 147 cm

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Robson Rodrigues

MARCELO MOSCHETA
Britannica N. 11, 2017
Desenho em grafite e serigrafia sobre PVC expandido.
141 x 102 cm

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Robson Rodrigues

MARCELO MOSCHETA
Zênite 02, 2017
Tinta laca branca, marcador permanente e letraset sobre ardósia ferrugem
120 x 120cm

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Propriedade-1_1920

MARCELO MOSCHETA
Propriedade, 2015
Mourões de madeira retirados de propriedade privada, corrosão e gravação a laser sobre alumínio
200 x 300 x 70cm

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Marcelo Moscheta, 1976, São José do Rio Preto, SP, Brazil
Lives and works in Campinas, SP, Brazil

“Displacement, Territory, Landscape and Memory are my main interests. Through unusual materials and techniques, my work addresses the notion of ephemerality and the efforts of humanity to understand and recreate physical and geographical aspects found in natural environments. Like cartographers, artists choose the flags of their travels, points of reference that signal the interests that arise from their confrontations with the various territories they come across. In my trajectory, they are stones that appear more and more as elements that signal the passage through these places. Stones that are, at the same time, part and summary of the landscapes found; concrete things and metaphors invented.

A guiding thread of my work is the fascination I have for nature, as well as an open disposition to travel and experience the landscape. This arouses my attention when portraying the memory of a place, elaborating a classification procedure similar to archeology. But when my installations incorporate and combine the collection of elements with drawings, photography and recorded information, it is my interest to question, through art, the limits of the territory, identities and geographies.

Faced with mass migrations and rampant explorations of our mineral resources, the new geography has become the great questioning agent and with enthusiasm, contemporary art has transformed the bucolic and traditional landscape genre into the main arena of reflection and propositions against the status quo. The locus was transformed into territory and the main relationships between man and the environment, technology and memory, identities and nomadism are built there.”

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